This is one of Claude Debussy’s most evocative Preludes, one of the last composed in December, 1912. It was inspired by an article in Le Temps which described the coronation of King George the V as emperor of India. It is Debussy’s answer to Wagernism, Twelve-tone harmony, and the logical completion of tonality that Brahms composed in his late piano works.
What inspired Claude Debussy’s Book I Prelude Voiles? The Javanese Gamelan, Degas paintings of Sailboats, veiled dancers at the Folies Bergere?
Watch and find out!
Dr. Tobin first encountered this Estonian composer while on tour in Europe. Known for his vocal works, Pärt has also written the beautiful Fratres for violin and piano and a set of piano pieces, including Für Alina.
Dr. Tobin discusses how to approach this work of tone painting and concludes with a performance at Kulturplatz, Wetzikon, Switzerland.
Dr. Tobin discusses whole tone and black and white key combinations in the last Book II Prelude, Feux d’artifice, that promote a new means of progression and musical language. Fireworks is a culmination of the Preludes, recalls What the West Wind Saw, and paves the way for Debussy’s Etudes. The discussion endds with a live performance of Feux d’artifice in Wetzikon, Switzerland.